Konstanze Spät is an artist, photographer, and filmmaker. She develops spaces, situations, and scenarios in which to deal with themes from the contexts of body and power politics. This usually occurs in the form of complex, sensual, three-dimensional installations, which lure viewers out of their distanced roles and turn them into an active part of an ephemeral biotope.
Besides her artistic work, she also works on various collective curatorial projects, such as The City and the City (Cologne, 2017), ZEFAK (Bremen, 2018) All of a Jitter (Tokyo, upcoming).
In the project Scenes of Oszillation she examines different restrictive and subversive possibilities offered by migration and integration.